This Spring, Tate Modern will celebrate the provocative and boundary-pushing career of Leigh Bowery - one of the most ...

The exhibition’s title ‘Walk the House’ is drawn from a Korean expression referring to the hanok – a house that could ...

Fig.2 John Constable The Cornfield 1826 National Gallery, London Born into a prosperous family in the village of East Bergholt, Suffolk, Constable’s early display of aptitude and passion for painting ...

Contemporary artists have extended the vocabulary of the sublime by looking back to earlier traditions and by engaging with aspects of modern society. They have located the sublime in not only the ...

Edmund Burke’s Philosophical Enquiry (1757) connected the sublime with experiences of awe, terror and danger. Burke saw nature as the most sublime object, capable ...

Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...

Longinus, ‘Longinus on the Sublime’, trans. by W.H. Fyfe and Donald Russell, in Jeffrey Henderson (ed.), Aristotle, Poetics; Longinus, on the Sublime; Demetrius ...

Instead of making art that looked like people or things, Hepworth began to make sculptures and drawings using abstract shapes. She was inspired by nature and the world around her. She remembered ...

This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...

In 1886 the philosopher Friedrich Nietzsche declared the sublime out of date. A number of artists of early and mid-twentieth century continued to engage with concepts of the sublime, though often in ...

Harun Farocki (1944-2014) was a pioneering filmmaker and theorist. He made more than 90 films ranging from experimental documentaries to large-scale installations. His work often explores themes of ...